We left Charles Sumner on the floor of the United States Senate, slumped down and covered with his own blood. Ambrose Murray literally pulled Preston Brooks off him, but Sumner’s assailant kept trying for another go at the Senator despite his broken cane and the congressman holding him back. He finally stopped after John Crittenden insisted he not kill Sumner. Until that point, Brooks may not have realized his assault had gone so far as to imperil a healthy man’s life. In the moment, he may also not have cared. Transported by rage and panic, people often do things they would later regret.
The caning cost exacted a minor physical toll on Brooks, beyond the simple exertion of it. Senator Alfred Iverson (D-GA), stood near to Toombs and Keitt by the Vice-President’s chair in the Senate chamber when everything took place. He saw much of what everyone else did, but also testified
I also saw Mr. Brooks standing near; that he was hurt over his eye, and asked him how it happened? He said it was from the recoil of his stick.
This points further to Brooks losing control in the moment; he can’t have meant to lay into his own skull. Given that he used a cane of some length, probably Brooks’ forehead caught a flying piece when it shattered rather than bounced it off Sumner’s head and onto his own.
While they discussed Brooks’ head, Sumner
was lying down, and uttering groans of distress, but was soon taken up and carried through the area into the ante-room of the Senate
Ambrose Murray found Sumner
reeling around against the seats, backwards and forwards, and after I pulled Mr. Brooks back, Mr. Sumner fell over. […] He was not standing erect at any time after I saw him. He seemed to be reeling around against the desk.
In other words, Sumner stood hunched over and near to collapse. He finally did so after Murray stepped in.
Edwin Morgan, who had come in with Murray,
caught Mr. Sumner in the act of falling, so that my being there at the moment saved him from falling as heavily upon the floor as he would otherwise have done.
Sumner stood over six feet tall; it would take some doing to catch him in a fall.
The committee asked after Sumner’s consciousness at the moment:
I have no idea from his appearance, as I recollect it, that he was conscious, and I thought of it immediately afterwards, and do not think he was at all conscious of anything. I judged so, among other things, from the fact that he made no effort to defend himself in any way-not even to defend his head from the blows which were being laid on, and which he naturally would have done had he been conscious
That matches Sumner’s own account exactly. From the first blow, he couldn’t see and didn’t understand what had happened. Sumner’s memory ends with its landing and begins again as he
found myself ten feet forward, in front of my desk, lying on the floor of the Senate, with my bleeding head supported on the knee of a gentleman, whom I soon recognized, by voice and countenance, as Mr. Morgan of New York. Other persons there were about me offering me friendly assistance; but I did not recognize any of them. Others there were at a distance, looking on and offering no assistance, of whom I recognized only Mr. Douglas, of Illinois, Mr. Toombs, of Georgia, and I thought also my assailant, standing between them.
Gentle Readers, I have lost consciousness myself. It didn’t happen under circumstances as dire as Sumner’s, but I must tell you that it doesn’t feel at all like going to sleep and waking back up. Instead you come back and have nothing in your mind to account for your changed situation. It feels from the inside like the world skipped a few moments, though in fact your brain did.
Clarity can return quickly and we can say with some confidence that Toombs at least stood in the general area at the time. Douglas had left the Senate for a nearby room, but came back at the sound of the caning. He later claimed that he almost stepped in, then realized that his charging forward at Sumner would look like an ally coming to Brooks’ aid and stayed back. That would likewise put him in the right general area to feature in Sumner’s apt portrait.